LPCDreissues: Looking forward to the past

This is the third of these titles recorded at the Aquarius Theatre in Hollywood, California. A 33-track 2-CD set of the complete show mixed and mastered from the original multitracks stored in The Doors archive and presented unedited and in its entirety just as you would have heard it if you were sitting front row center. An Excerpt From Danny Sugerman's Notes: It is my opinion that on a good night Morrison was the rock ‘n’ roll equivalent of the brilliant and crazed Russian ballet dancer, Nijinsky. He was literally possessed by a force he could somehow tap into once the band started playing and the spotlight hit him. Words like "mesmerizing," "hypnotic," "horrifying," "ecstatic," and "otherworldly" all apply here. And it was reputation, and of course the hit singles, several of which are contained here, that inevitably led to the bigger auditoriums. Bill Graham once told the band "You can't share shit in those barns" in an attempt to keep them at the smaller-sized Fillmore. But with Jim giving each performance everything he had, and because the demand for tickets was so high, it simply made more sense to do what so many other bands had done, and that was to graduate from the Fillmore Auditoriums to larger halls and play one show instead of six. Live albums had become a big money maker about this period and rather than force out their upcoming studio material, The Doors consented to Elektra Records' request to record the band in concert. It seemed a natural, The Doors, one of the best concert performers of their era, captured on tape.
Bright Midnight Archives This is the real thing, as The Doors played it, without intrusive overdubs or fixes. While technical glitches remain, and the tape sound is sometimes primitive, the performance quality and historical significance make Bright Midnight Archives releases essential in any Doors collection. Most Bright Midnight Archives releases are neither individually numbered nor limited editions.
CONCERT INTRODUCTION AND TUNING (2:06) JIM'S INTRODUCTION (0:11) BACK DOOR MAN (4:35) BREAK ON THROUGH (TO THE OTHER SIDE) (3:53) WHEN THE MUSIC'S OVER (12:07) TUNING (0:57) YOU MAKE ME REAL (3:05) TUNING (0:25) UNIVERSAL MIND (4:42) THE CROWD HUMBLY REQUESTS (2:15) MYSTERY TRAIN/CROSSROADS (5:59) THE CROWD AGAIN REQUESTS (0:12) LITTLE RED ROOSTER (6:28) TUNING (0:49 ) GLORIA (10:02) TUNING (0:51) TOUCH ME (3:29) THE CRYSTAL SHIP (3:26) TUNING (0:48) LIGHT MY FIRE (13:53) THE CROWD REQUESTS THEIR FAVORITES (0:57) THE CELEBRATION OF THE LIZARD (14:59) A REQUEST OF THE MANAGEMENT (6:45 ) SOUL KITCHEN (6:51) JIM INTRODUCES RAY (1:01 ) CLOSE TO YOU (4:29) A CONVERSATION WITH THE CROWD (2:12) PEACE FROG [INSTRUMENTAL] (2:36) BLUE SUNDAY (2:38) FIVE TO ONE (5:47) THE CROWD AGAIN REQUESTS THEIR FAVORITES (0:44) IM INTRODUCES THE MOVIE (1:06) ROCK ME BABY (7:38)