1 - Act One - Discovery (I. Narrative) (1'43)2 - Act One - Discovery (II. Spirit Song - Death Command) (4'12)3 - Act One - Discovery (III. Narrative) (1'37)4 - Act One - Discovery (IV. Escape) (1'40)5 - Act One - Discovery (V. Trinity Invitation) (1'25)6 - Act One - Discovery (VI. Return Of The Spirit) (2'05)7 - Act One - Discovery (VII. Waukesha Windows) (4'29)8 - Act One - Discovery (VIII. Rhyme Well) (4'09)9 - Act One - Discovery (IX. Interstellar Flight) (2'38)10 - Act One - Discovery (X. Arrival Boogie) (1'48)11 - Act One - Discovery (XI. Arrival Jam) (2'50)12 - Act One - Discovery (XII. Bubble Freaks Reply) (1'41)13 - Act One - Discovery (XIII. Controller's Reply) (2'19)14 - Act One - Discovery (XIV. That Is Why) (2'09)15 - Act One - Discovery (XV. Bubble Man Blues) (1'05)16 - Act One - Discovery (XVI. Spatial Song) (1'21)17 - Act One - Discovery (XVII. Star Of Seas) (4'13)18 - Act One - Discovery (XVIII. Move Very Quickly) (5'12)19 - Act One - Discovery (XIX. Flying Free) (1'43)20 - Act One - Discovery (XX. Leaving Seas) (0'55)21 - Act One - Discovery (XXI. Infinite Song Word) (2'36)22 - Act One - Discovery (XXII. 6 Years 1000 Eyes) (1'44)23 - Act One - Discovery (XXIII. Staring Song) (1'18)24 - Act One - Discovery (XXIV. Eyes) (1'20)25 - Act One - Discovery (XXV. Colors And Confusion) (1'32)26 - Act One - Discovery (XXVI. Hypnotic Eye) (3'42)27 - Act One - Discovery (XXVII. Flight Of The Frees) (5'21)28 - Act Two - Consequences (I. Ockar Thrinking) (1'01)29 - Act Two - Consequences (II. Blakmar Chrinking) (0'45)30 - Act Two - Consequences (III. Osmidachoo) (0'41)31 - Act Two - Consequences (IV. The Dry People) (1'06)32 - Act Two - Consequences (V. Hypnotic Pulse) (1'07)33 - Act Two - Consequences (VI. Evil Allies) (0'44)34 - Act Two - Consequences (VII. First Attack Of Free Spirits) (1'33)35 - Act Two - Consequences (VIII. Cry Of The Frees - After Losing) (2'21)36 - Act Two - Consequences (IX. War And Carnage) (6'56)37 - Act Two - Consequences (X. Counter Attack And Dimension Warp) (5'13)38 - Act Two - Consequences (XI. Whistle Song) (2'46)39 - Act Three - Aftermath (I. Hall Of Godcar) (6'50)40 - Act Three - Aftermath (II. The Goddess) (2'04)41 - Act Three - Aftermath (III. Square Of Air - Airaireerreere) (1'20)42 - Act Three - Aftermath (IV. The Twelve Keys) (2'59)43 - Act Three - Aftermath (V. The Symphony Of Man) (5'53)44 - Act Three - Aftermath (VI. Ghost) (0'21)45 - Act Three - Aftermath (VII. Spacemen) (0'27)46 - Act Three - Aftermath (VII. Forever) (0'31)47 - Act Three - Aftermath (VIII. Return Of The Spirit) (5'09)48 - Act Three - Aftermath (IX. The SandKing) (3'37)
A truly unclassifiable artist, Sigmund SNOPEK III was relatively anonymous among the popular band THE VIOLENT FEMMES. The art of this iconoclast can eventually be related to that of THE MOODY BLUES and Kevin GODLEY & Lol CREME. An obscure album issued in 1972, the now famous “Who’s Afraid Of Virginia Woolf ?” was full of ambition: its heteroclite Progressive rock taking after some of the early Frank ZAPPA, rock, classical or contemporary music, ethnic music and jazz, all in an audacious blend. On “Nobody To Dream” (1975), he blends refined neo-classical tracks, classic-pop orchestrated songs, pop-songs, elegant and airy melodies. “Thinking Out Loud” (1997) includes five added tracks, compared with the original 1978 version. Two years later, the fabulous "First Band On The Moon" could be heard as a true Snopekian manifesto ! "Roy Rogers Meets Albert Einstein" is an excellent 1982 millesime, characterized by a division in three works ("Ride In The Dark", "Roy Rogers Meets Albert Einstein" & "Song Sing The Doldrum Ding") all more staggering the one than the other. The event of the year 2000 “Trinity - Seas Seize Sees” shows the return of the US keyboard player with Polish origin. Issued on the Musea label, this ambitious and conceptual double album was completely composed in 1973. However, only the first part was recorded in those days, the rest was completed between 1996 and 1999 and the whole work includes an impressing quantity of musicians. On it, all the characteristics of his first albums can be found with on top of that some sequences that sound almost like MAGMA !…
