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The Summer of Love hadn’t reached Missouri, even by 1969. But White Eyes, a true anomaly of the Midwest, channeled the sound of Haight-Ashbury straight to the plains. The band was among the top performing acts in the “Show Me” state, opening for The Flying Burrito Brothers, Black Oak Arkansas, and Brewer and Shipley. Blending acoustic and electric instrumentation, three-part harmonies, and anti-Vietnam lyrics, this previously unissued album holds true to the acid-drenched sounds of the Woodstock era.
Though originally intended as a demo, what we have here is well produced psychedelic pop.
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