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Housed in a new gatefold sleeve with additional liner notes, this is German instrumental jazz prog quality at its best!
An ecology-inspired Krautrock album (1971) from a short-lived group comprised of German school-chums, some of whom had recorded an LP as Trikolon. Tetragon did not conform to any predetermined musical style: they played whatever they pleased, as long as it included groovy Hammond organ and very trippy, flanged wah-wah guitar, in various taut jamming modes that favored jazz/rock fusion a la Miles Davis with a small dose of classical music (adapting a Bach fugue along the way). The result is a bouquet of lush instrumentals, with elements of Egg or the Nice, and quite a bit of T2 to boot. The album was recorded in a converted barn, using a Revox A77 two-track tape recorder and seven microphones placed judiciously to best capture the sound of each instrument. Re-recording wasnt possible, as the record was mixed live. Yet these challenging conditions inspired the band to great heights: Hendrik Schaper played organ and clavinet simultaneously, with one hand on each keyboard; meanwhile, Jurgen Jaehner unleashed rampaging electric guitar solos, then, in an instant, switched to acoustic guitar for the next musical passage; Schaper didn't own a piano, so he used a pre-amp with a wah-wah pedal to imitate that instruments sound. A virtuoso effort, from start to finish! Tetragon didn't bother contacting any record labels; they didn't think their music would interest anyone. A mere 400 copies of the album were released on a private label, named Soma after the drug-induced effect described in Alduous Huxleys Brave New World.
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