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The story of Perception takes root in a series of chance meetings, which seem at first glance unlikely, between musicians from differing horizons, be they geographic or esthetic. Jazz Magazine was spot on with an article from the period entitled, "Perception, four conceptions", before detailing the origins of the musicians (ungarian for saxophonist Yochk'O Seffer, German for pianist Siegfried Kessler, French for bassist Didier Levallet, Franco-Vietnamese for drummer Jean-My Truong). It then looked at their varying backgrounds (classical academic training for the first two, an improvised apprenticeship on the jazz scene for the third), in order to point out the seemingly contradictory and perhaps complementary directions which would unite in a singular identity. None of this, however, was clear from the start as the group began as a trio with a different saxophonist, before stabilising to the first core quartet.
Having been remarked on in 1970 by Gérard Terronès, who was already producer of the cult Alors! (Michel Portal), Célesphère (Burton Greene) and Basse Barre (Barre Phillips), Perception was thus given a timely opportunity to record their first album on his Futura Records label. This eponymous opus, illustrated with a drawing by Yochk'O Seffer, is the first of a fascinating trilogy. It puts the seal on those complementary contradictions with a lyrically incandescent free jazz, made up of startling interactions between complex harmonies and disjointed rhythms.
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